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This story originally appeared in the Jackson Free Press. It was added to the Mississippi Free Press website in 2025.
Note that any opinions expressed in legacy Jackson Free Press stories do not reflect a position of the Mississippi Free Press or necessarily of its staff and board members.

Scattered across the desolate solar system exist the bleary-eyed mining men of Jupiter who know nothing of women, and the sexually frustrated, all-female (Southern Belle no less) population of Venus. The surrealist noir B-movie landscape of a 1950s-style, campy black-and-white sci-fi odyssey “The American Astronaut” will be presented by director Cory McAbee—who also stars in, scored and wrote the film that began seven years ago at a Sundance Writer’s Lab workshop.

The Homeric adventures of interplanetary trader Samuel Curtis (McAbee) journeys the vastness of space much like an explorer of the Old West, peddling found wares to the uninitiated. Curtis’ journey begins with the whimsical delivery of a cat to an isolated asteroid saloon where he meets his former dance partner, and renowned interplanetary fruit thief, the Blueberry Pirate. As payment for the cat, Curtis is given a homemade cloning device already in the process of creating a creature of legend on outpost Jupiter: a Real Live Girl.

The film’s perversely silly and twisted Dali-esque dreamscapes provide a lethal aesthetic of David Lynch’s “Eraserhead” meets Webb Wilder’s “Corn Flicks.” McAbee’s band, The Billy Nayer Show, adds an offbeat, post-punk rock-opera weirdness to the B-movie’s “so bad, it’s good” low-budget effects and sensibility. “Astronaut” is a visceral drug of silly minimalist, intentionally camp and over-the-top chaotic ranting, like the best of dark comedy underground cult films, inspired by the music of The Stranglers, early Roxy Music, The Damned, They Might Be Giants and Devo.

The whiskey-drinking and lighthearted surfers will find “The American Astronaut” to be a wildly weird hootenanny of gritty light and dark, while the serious “normal” analyst may find it ridiculously silly and contrived. Don’t be normal…Get crazy. Suspend your disbelief, and go for a ride, into the absurd. The true film obscurest is about the journey and not the arrival. He laughs like a sinister madman at the masses that leave moaning and scratching their heads in nonsense. This music driven, darkly comic, western space odyssey, like good scotch, just gets better with age. The more you revisit it, the better it is.

“The American Astronaut” will screen at Martin’s Lounge, on Sunday night, Sept. 19, 8 p.m. $5. The star, writer, director, and soundtrack maker Cory McAbee (aka: The Billy Nayer Show) will perform immediately after the screening. The auto-harp clad front man, McAbee, is a diction-twisted, storytelling madman. It’s a sick, New York City lounge act that Frank Zappa would approve of. 214 S. State St., 354-9712. www.americanastronaut.com

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The Mississippi Free Press produced this story through the MFP Solutions Lab, supported by the Solutions Journalism Network. This series digs into Mississippi’s systemic issues and sheds light on responses to them in other communities. Beyond just reporting on problems, these stories interrogate their causes and inspect potential solutions.

Mississippi native Donna Ladd and partner Todd Stauffer founded the Jackson Free Press in 2002 in the capital city. The heavily awarded local newspaper did many investigations heralded across the state and nation and served as a paper of record due to its diversity, inclusion, in-depth reporting and deep connection to readers and dedication to narrative change in and about Mississippi. In 2022, the nonprofit Mississippi Free Press, founded by Ladd and JFP Associate Publisher Kimberly Griffin in 2020, purchased the journalism assets and archives of the Jackson Free Press. A Google grant through AAN Publishers enabled Newspack's integration of the JFP archives into the Mississippi Free Press website to become part of a more searchable archive of recent Mississippi history and essential journalism.