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Spotlights burst and reveal the stage setup for platinum-selling rapper Lil Wayne, his name superimposed against a black background, reaching at least 25 feet over the screaming audience.

As the DJ begins spinning the track, though, the first thing fans may notice is not which song is playing but the energy of a new element: hip-hop percussionist Matthew Mayberry, better known as Yayo the Drummer.

The Jackson-native musician has been performing with Lil Wayne for about two years, but he says that he has worked to promote live instrumentation in hip-hop shows for a long time.

Mayberry says: “I think—not throwing shade or being negative or anything—but to me, one of the most boring shows for me growing up was to see an artist with a DJ and that be it, when they’re not one of those artists that dances or moves, or they’re just not one of those entertainers.”

While he likes the image of an artist and a DJ together onstage, he says there is nothing quite like bringing an audience face to face with the instruments, which livens not only the fans but the artist.

Mayberry did not immediately make the jump to hip-hop, though. He grew up playing piano for his church before picking up the drums and other instruments, and then, he began playing a variety of musical styles while attending Tuskegee University.

Lil Wayne’s former manager, Cortez Bryant, a longtime friend of Mayberry and a fellow Callaway High School graduate, brought the drummer and the popular hip-hop artist together in 2014 after Mayberry pitched the idea to him.

“From the first show where we tried it where it was drums, a DJ and him—his manager at the time, Cortez, took my idea and wanted to run with it—when Wayne was introduced to it, he kept turning around in the middle of the show like, ‘Man, what is he doing back there?’ … He (told) Cortez after the fact, ‘That drummer I’ve got back there, he’s like a one-man band. He sounds like 50 people.’”

Video

Lil Wayne’s “Can’t Be Broken” featuring Halsey and Yayo the Drummer

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The Mississippi Free Press produced this story through the MFP Solutions Lab, supported by the Solutions Journalism Network. This series digs into Mississippi’s systemic issues and sheds light on responses to them in other communities. Beyond just reporting on problems, these stories interrogate their causes and inspect potential solutions.